Concussion is a producer and DJ from Stuttgart. His family is mostly from Hungary, but he was born and raised in Germany. For almost a decade, he has been creating soundscapes that have captivated with hypnotising and driving rhythms since his immersion in techno. His musical career began early, took him through various stations and finally he will play his first set in Hungary on saturday at Kindergarten. 

How do you remember your first connections with electronic music?

I think I went clubbing for the first time when I was 18 – classic techno at Lehmann Club in Stuttgart. Even before that, I’d been listening to different electronic genres. I knew early on that electronic music inspired me the most. It’s where rhythm and emotion merge – for me, one of the most beautiful combinations in the music world.

You come from Stuttgart – what should people know about the local techno scene these days?

The techno scene in Stuttgart has changed a lot over the past few years. Social media has pushed bigger acts more into the spotlight. And after the pandemic, the scene attracted a lot of new listeners. I feel like it’s currently going through a phase of reorientation. New labels are trying out subgenres, and classic techno is slowly making a comeback. In my opinion, the hype around hard techno is starting to fade, and the underground is regaining some of its former glow.

When did you start producing music? What’s your process like, and how would you describe your sound?

I started producing music around 9–10 years ago – at first it was house, hip-hop and pop. Over time, I got deeper into electronic music and have been focused on techno for about 4–5 years now. At some point, I felt confident in the quality of my work and began releasing tracks.

Three years ago, I discovered my love for classic techno through the Stuttgart label Vision Ekstase – and realized this genre is right at the core of my musical identity. I became part of the label as an artist and later also as label manager. I learned a lot there and released my first successful vinyl, Synthetic EP.

Up until half a year ago, I was still heavily involved with the label – putting out music and playing events. Then came the desire to go my own way. So I founded my own label: CNC – a platform dedicated entirely to my own music. It gives me full freedom to realize my artistic vision both musically and visually. It’s a kind of self-discovery phase – without limits or rules. Quality is the top priority.

The first release on CNC, the Lampak EP, marks the beginning of this journey – a statement that sets the tone. The tracks are meant to be emotional high points in a techno set. More tracks will follow that form the backbone of a set – layerable, effective, and full of detail.

My music is meant to stir emotions, combining the primal power of rhythm with hypnotic sounds and innovative sound design. After Lampak EP, which dropped earlier this year, two more EPs are scheduled for release on CNC – all staying true to that same musical vision.

You released your first EP on your own label with Hungarian titles – is that connected to your Hungarian roots? What’s the story behind the titles and the vocals? Can you speak Hungarian? Are you connected to the scene there?

My family is mostly from Hungary, but I was born and raised in Germany. Still, I feel a strong connection to my roots – that’s why I wanted to incorporate Hungarian elements into my music.

On the track Nagy Mama, you can hear a Hungarian poem read by my grandmother who lives in Hungary. I don’t speak Hungarian fluently (yet), but I’m learning more and more step by step!

So far, I haven’t had direct contact with the Hungarian techno scene – but I’m curious and very open to it. That’s why I’m especially excited to play my first Hungarian gig on April 19, 2025, in Budapest.

Which artists from the past have inspired you the most? And which newer names are your current favorites?

I’ve always been inspired by artists who are known for their high-quality production. Rene Wise is definitely at the top of that list for me. Chlär, Temudo, and Stef Mendesidis are also standout producers who have left a mark on my sound.

There are so many talented artists right now. Chlär and Alarico really caught my attention with their unique sound design through the Primal Instinct label. Rene Wise is also doing exciting things with his label Moving Pressure.

Personally, I find it really refreshing how some producers are embracing slower tempos again – it brings out the complexity in rhythms much more. My upcoming EP this summer is heavily inspired by that direction.

What producer appearances do you have planned in the near future?

This year, I’m planning to release two more EPs on my label CNC. Sound-wise, they’ll be a bit slower, more voluminous, and darker than the Lampak EP. Alongside those, there’ll also be a digital single and a vinyl release featuring a remix.

What can we expect on Saturday behind the decks?

On Saturday, you can expect a set full of driving, high-quality rhythms. Emotionally balanced, deep and powerful – fat basslines with a clear storyline. Energetic, but with depth.

Concussion’s hungarian debut as dj will held on 19th April at Kindergarten. This is a private event at a 100 years old industrial area. If you want to join, send us the invitation form, and you will get an email with all useful information. See you on the dancefloor!
Invitation form: https://shorturl.at/tvrre